COMING HOME: ART AND THE GREAT HUNGER
8 March 2018 – 30 June 2018
Coach House Gallery, Dublin Castle Gardens
Coming Home: Art and the Great Hunger – an exhibition of the world’s largest collection of Famine-related art– is shown for the first time in Ireland. The collection, from Ireland’s Great Hunger Museum at Quinnipiac University, Connecticut, constitutes a direct link to the past of almost 6.5 million Irish, and 40 million Irish-American people. The death and dispersion of 2 million people, followed by a further 2 million emigrations to the end of the century, makes this an important gesture of cultural reconnection.
The impact of the Famine is still with us. The challenge in the 21st century is to find ways to remember a past that shaped the present. Through this exhibition, both the gaps and the connections in Irish and diasporic history and memory raise important historic and contemporary issues of poverty, displacement and violence, as well as of class, gender and identity, through the lens of art. From Romanticism to post-modernism, the exhibition spans 170 years, and features work by leading Irish and Irish-American artists. The unprecedented calamity paralleled a crisis in representation. Successive generations sought to register the enormity of what happened visually, while grappling with rapid stylistic change that resisted traditional representation.
BEYOND THE THREE PERFECTIONS
7 October 2017 – 5 January 2018
Coach House Gallery, Dublin Castle Gardens
The tradition of the ‘three perfections’, unifying poetry, painting and calligraphy in a single art work captured the cultural imagination during what was the most culturally brilliant era in imperial Chinese history, the Song dynasty (960 – 1279 AD). Drawing inspiration from tradition, this exhibition brings together the poetry of President Michael D. Higgins; the sculpture of the Director of the National Art Museum of China and sculptor, Professor Wu Weishan; the calligraphic works of renowned Chinese calligrapher Wei Ligang and of Irish calligrapher Patty Hudak; as well as previously unseen works of the eminent Irish modern artist Patrick Scott. In this way, Beyond the Three Perfections offers a unique artistic collaboration and anchoring point to the evolving Sino-Irish relationship, for two nations each steeped in thousands of years of cultural tradition.
Curated by independent Chinese art specialist Emily de Wolfe Pettit.
MAKING MAJESTY: BUILDING AND BORROWING THE REGAL IMAGE AT DUBLIN CASTLE
25 September 2017 – 28 April 2018
State Apartments Galleries
This exhibition explores the shaping of the royal and viceregal image at Dublin Castle in the eighteenth and nineteenth centuries, and the later appropriation of that potent image in the formation of an independent Ireland. From the gilded magnificence of the Castle’s architectural surroundings and their intricately crafted furnishings, to the stately ceremonies that unfolded in and around them, the exhibition reveals the different ways in which ideas of majesty were constructed, consumed and reinvented.
Bringing together paintings, furniture, drawings and ceremonial regalia, it draws on the rich collections of institutions including the National Gallery of Ireland, the Victoria and Albert Museum, the Office of Public Works and the Royal Collection Trust. The exhibition will be accompanied by a richly illustrated book of scholarly essays published by Irish Academic Press and a programme of educational events, all of which will seek to illustrate, for the first time, the Castle’s untold story of building, borrowing and making majesty.
Curated by Myles Campbell and William Derham, Collections and Research, Dublin Castle.
CLAY/WORKS – CERAMICS IRELAND ANNUAL MEMBERS EXHIBITION
13 August 2017 – 27 August 2017
Printworks Exhibition Centre
Clay/Works will feature the work of 60-80 makers from the four corners of the country. A diverse range of ceramic work will be on show, including functional, decorative, wall panels and sculptural forms. The show provides an opportunity for all members to exhibit and features established makers including Jim Turner, Markus Jungmann, Etain Hickey and Susan Beiner, alongside emerging makers Darren Cassidy, Ann McBride and Michelle Collier. There will be something to interest everyone in this exhibition of over 250 pieces.
This year’s exhibition also marks the 40th anniversary of Ceramics Ireland, an impactful membership organisation founded in 1977.
The exhibition is open daily from the 12th to the 30th of August from 10:00 to 17:00.
1 July 2017 – 8 September 2017
Coach House Gallery
Silent Testimony, an exhibition of portrait paintings by Colin Davidson, reveals the stories of eighteen people who are connected by their individual experiences of loss through the Troubles – a turbulent 30-year period in Northern Ireland from the late 1960s onwards. The portraits are a powerful response which reflects on how the conflict has had, and continues to have, a profound impact on thousands of individuals – the injured, their families, the families of those who died and the wider community.
Since 2010, Davidson has become internationally renowned for his series of large-scale portraits of actors, musicians, poets and writers. While painting these familiar faces, he became increasingly preoccupied, not with their celebrity, but more with their status as human beings. This continuing exploration of ‘common humanity’ is the foundation on which Silent Testimony rests.
IN THE EYE OF THE BEHOLDER: AN EXHIBITION ON BEAUTY IN THE EIGHTEENTH CENTURY
20 June 2017 – 31 December 2017
Wedgwood Room, State Apartments
This exhibition explores the reality of maintaining beauty standards at court in the eighteenth century. It introduces Dublin Castle as the stage on which members of – and visitors to – the viceregal court would flaunt their ability to follow and execute changing trends from London and Paris at that time. The advantages of being fashion-forward determined social status, but the personal cost was high. From toxic concoctions of lipstick to shape-enhancing corsets, this exhibition focuses on make-up, hair, hygiene and both ladies’ and men’s fashion. It shines a light on the age-old human action of presenting oneself at an occasion and asks a question that is as simple as it is elusive: if beauty is in the eye of the beholder – is it worth it?
Curated by Laura Fitzachary and Bronagh Dempsey, Tour Guides/Information and Education Officers, Dublin Castle.
BURNING BOOKS, JUNE 1922:
THE DESTRUCTION AND RECREATION OF THE IRISH PARLIAMENTARY BOOKBINDINGS
3 April 2017 – 1 September 2017
State Apartments Galleries
In the last decade of the nineteenth century, the book collector and amateur book binder Sir Edward Sullivan was shown a collection of 149 large volumes in exquisite bindings that had been stored, unnoticed, over many years in the Public Records Office in Dublin. They were in fact the Journals of the Houses of Lords and Commons of the old Irish Parliament that ceased to exist after the 1800 Act of Union. Fortunately, Sullivan made rubbings of all 149 volumes, now held by the National Library of Ireland, as the Public Records Office was destroyed by an explosion and all of the magnificent bindings perished in the flames at the onset of the Irish Civil War, in 1922.
In 1990 Philip Maddock, a book collector, inspired by the images displayed in Maurice Craig’s work Irish Book Bindings, 1600–1800, started to build up a visual database of Irish hand tools based on scans of original bindings with a view to making a digital reproduction of one of the lost Irish Parliamentary Journals. The first attempt, Commons Journal 1757, was very pretty but it was not a book. With the help of book binder Trevor Lloyd, Maddock embarked on the major project of reproducing fifteen of the Irish Parliamentary Journals, based on Sullivan’s work. Fourteen of these wonderful volumes are on display in this exhibition along with the finishing tools specially commissioned for the project, as well as examples of eighteenth-century Irish bindings and some of the printed editions of the Lords and Commons Journals in presentation bindings.
SAFETY AT SEA THROUGH WAR AND UPHEAVAL:
IRISH LIGHTS 1911-1923
28 February 2017 – 7 April 2017
Coach House (Dublin Castle Gardens)
The Commissioners of Irish Lights are a maritime organisation delivering an essential safety service around the coast of Ireland, protecting the marine environment, and supporting the marine industry and coastal communities.
Using unique sources to set the scene, this exhibition reveals the story of how Irish Lights coped during the daunting events of the First World War and the Irish War of Independence and continued its mission to ensure safety at sea for all.
Admission is free.
THE CRAWFORD AT THE CASTLE:
THREE CENTURIES OF IRISH ART FROM A NATIONAL COLLECTION
8 October 2016 – 12 February 2017
This exhibition sees the collection of the Crawford Art Gallery in Cork travel to Dublin for the first time in its near 200-year history.
A selection of 59 works of Irish art from the Crawford’s permanent collection are exhibited in both the historic State Apartments and Coach House at Dublin Castle, establishing interesting resonance between the two institutions.
IN THE SHADOW OF THE CASTLE: DUBLIN CASTLE IN 1916
6 April 2016 – 21 September 2016
This fascinating and evocative exhibition told the story of the role the Castle played during the 1916 Rising, including the attack on the Castle, the installation of the Red Cross Hospital – when the Throne Room, Drawing Room and Portrait Gallery became hospital wards – and the last days of James Connolly at the Castle before he was brought to Kilmainham Gaol to be executed.
PINNACLES, POMP & PIETY: 200 YEARS OF THE CHAPEL ROYAL AT DUBLIN CASTLE
24 September 2015 – 6 March 2016
Marking the bicentenary of the Chapel Royal, this exhibition brought together many of the original contents from the Chapel, such as furniture, silverware and historic drawings.
A beautifully illustrated book, The Chapel Royal, Dublin Castle – An Architectural History’, accompanied the exhibition. It includes essays on a diverse range of subjects from music to liturgy to the art of book binding and stained glass, and from stucco work to plate, pinnacles and carved stone. See here for more information on this publication.
PLAYING WITH TRADITION
4 June 2015 – 6 September 2015
Curated by Irish artist and designer Nuala Goodman and Mary Heffernan, OPW, this exhibition showcased a stunning collection of works, including furniture, ceramics, jewellery, clothing textiles and tableware designed by over 30 esteemed Irish and international designers such as Philip Treacy, Gaetano Pesce and Marianna Kennedy.
THE GRANARD BEQUEST
28 October 2014 – 17 May 2015
Jane Beatrice (née Mills, 1882-1972), Countess of Granard and wife of Sir Bernard Forbes, the 8th Earl of Granard, requested that some of her art works be donated to the Irish State after her death. The Granard Bequest comprises a collection of paintings, fine French furniture and clocks, oriental porcelain and other items from the original collection at the Metropolitan Museum in New York and the Granard residences in Paris and Longford. Since 1973, several generous additions have been made to the bequest by Lord and Lady Granard’s son, Sir Arthur Forbes, 9th Earl of Granard, who continued to donate items to Dublin Castle until his death in 1992.
ULYSSES CYLINDERS, BY DALE CHIHULY AND SEAVER LESLIE
19 June 2014 – 23 August 2014
This collaborative exhibition combined the alchemic artistry of Dale Chihuly with painter Seaver Leslie’s pen and ink drawings to create a unique collection of golden glass Cylinders. Working with Leslie’s drawings on paper, artists Flora C. Mace and Joey Kirkpatrick constructed fragile glass drawings inspired by James Joyce’s novel Ulysses which Chihuly’ s studio team amalgamated into individual Cylinders of glass wrapped in gold leaf. A revelation in their simplicity, these works pay homage to an intricate narrative.
ALEC COBBE: DESIGNER, PAINTER, CONNOISSEUR
6 June 2014 – 24 September 2014
For over 40 years, Alec Cobbe has been a key figure in the understanding and presentation of historic painting collections and interiors. This exhibition touched on these and other aspects of his varied career as artist, designer, picture restorer, collector and connoisseur. Curated by Julius Bryant, it was initially presented at the Victoria & Albert Museum from December 2013 to April 2014. The exhibition at Dublin Castle included the additional feature of a room surveying Cobbe’s journey as a painter, curated by artist Woody Kim.